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Continuo

IAML International



 

Continuo: Journal of IAML (Australia)

 

Continuo is published annually in November by the International Association of Music Libraries, Archives and Documentation Centres, Australian Branch, and is distributed to all members of the Association as part of their membership. Annual membership rates are $60 for personal members and $120 for institutional members. Members receive Intermezzo: Newsletter of IAML (Australian Branch), Continuo: Journal of IAML (Australian Branch) and automatically includes membership to Fontes Artis Musicae, international journal of the Association. Foreign subscription to Continuo only is $15 for personal members and $30 for institutional members. All payments must be in Australian currency, payable to IAML (Australian Branch). Membership enquiries should be directed to the Secretary. Contributions on aspects of music librarianship or sound archives to be considered for publication should be forwarded to the General Editor.
ISSN 0310-6802

Continuo is indexed in APAIS (Australian Public Affairs Information Service), ALISA (Australian Library and Information Science Abstracts) and Music Index.

Information for Contributors

Continuo welcomes submissions of articles, bibliographies, notes and news in the areas of music librarianship, music bibliography, the music trade, discography and related aspects of music history.

Articles and contributions for consideration Deadline for contributions is 31 October each year. Articles and contributions should, if possible, be supplied in electronic format on 3.5" diskette or electronically, IBM compatible, Word 2000. One printed copy of the article must also be supplied. Copy should be double spaced including lists, tables, footnotes and quoted matter. Footnotes should be in a text file (i.e. do not use the footnote function). Please send contributions to:

Peter Campbell
General Editor, Continuo
Academic Registrar
Trinity College
University of Melbourne
Melbourne. VIC 3010
Phone:(03) 9348 7528
pcamp@unimelb.edu.au

 

Style

A style guide for contributors is available from the General Editor. Continuo follows The Style Manual for Authors, Editors and Printers, 5th edition, Australian Government Publishing Service, 1994.

Reviews

Persons wishing to review materials are invited to contact the General Editor.

Advertising

For information regarding advertising in Continuo contact the General Editor. Continuo is circulated to over twenty institutions and thirty individual music librarians and associates. It is considered a major periodical for the music library profession in Australia.

Copy deadline for Continuo is 31 October each year

 

Contents pages of Continuo: Journal of IAML (Australia)

Volume 34 2005

Editorial. PETER CAMPBELL

Rock On! Australia’s Online Musical Scene through the PANDORA Archive and MusicAustralia. JULIE WATSON

The Canberra Choral Society National Music Lending Scheme. JUDITH EVANS, PATRICIA LEVICK & COLIN LOUGHEED

Strength in Numbers: Managing Digital Resources through the ISMN.  KAYE McINTYRE & JULIE WATSON

Copyright Implications for Creating Online Print Music Databases. BRUCE MUNRO

REVIEWS edited by Kylie Smith

- Singing Australian: A History of Folk and Country Music. By Graeme Smith. Reviewed by ROBYN HOLMES

- Verandah Music: Roots of Australian Tradition. Edited by Graeme Seal and Rob Willis. Reviewed by KYLIE SMITH

Notes on Contributors

Office-bearers of IAML (Australia)

 

Volume 33 2004

Editorial. PETER CAMPBELL

Collaboration: National and International Perspectives. ROGER FLURY

MusicAustralia at the State Library of Western Australia: The Creation of ‘WA Musical Memories Online’. KYLIE SMITH

Biographical Information on MusicAustralia: Sharing our Musical Stories with the World. MATTHEW STUCKINGS

Digitisation of Collections at the Alexander Turnbull Library,

National Library of New Zealand. JILL PALMER

PARADISEC: The Pacific And Regional Archive for Digital Sources in Endangered Cultures. NICK THIEBERGER

Digital Music Projects: A Queensland Perspective. LAUREL DINGLE &  MARGARET WARREN

The Burgis Collection at the University of Western Australia: A Case Study. VICTORIA ROGERS

The Brave New World of Libraries and Repositories. TOM RUTHVEN

REVIEWS edited by Helen O’Donoghue

- ‘God Defend New Zealand’. CHRIS McDONALD

- Musicianship in the 21st Century. SHIRLEY TREMBATH

Notes on Contributors

IAML (Australian Branch): Minutes of 2004 BGM, Reports & Committee Directory

 

Volume 32 2003

Editorial. PETER CAMPBELL 

The music librarian’s toolbox. MARIANNE HORN

The master’s degree in music information management at the University of Media, Stuttgart. WOLFGANG KRUEGER 

Student placement: A positive experience for all. ELSPETH MCKENZIE

Mollie Lukis Award 2003

REVIEWS edited by Helen O’Donoghue

- Currency Companion to Music and Dance in Australia. KYLIE SMITH

- Music librarianship: The comprehensive guide to music librarianship. GEORGINA BINNS

- Peggy Glanville-Hicks: A Transposed Life. GABRIEL BIENIEK

- Sourcebook for Research in Music and Choral Music: A Research and Information Guide. PETER CAMPBELL

- A Chronicle of First Broadcast Performances of Musical Works in the United Kingdom, 1923–1996. MEGAN PRICTOR and PETER CAMPBELL

Notes on Contributors

IAML (Australian Branch) Executive Committee Directory

 

Volume 31 2002

Searching and researching: bibliographical sources and the musicologist - Emeritus Professor - David Tunley

The ABC and the preservation of musical culture - Lynne Carmichael

A-choir-ing archives: Some observations concerning Australian choral archives - Peter Campbell

PASIG, SIBMAS and AUSSTAGE: Explaining acronyms in the performing arts resources network - Richard Stone

The composer, the academic, his librarian and her library! The development of composer archives at Monash University Library - Georgina Binns

Reviews - Edited by Helen O'Donoghue

- Becky Llewellyn Milerum's Basket
- Ron Nagorcka/Robert Williams Devils of the Night
- Ian Holtham Giants in the Land
- Music printing and publishing in Australia.

Biennial General Meeting of IAML (Australia) 2002 Minutes and Reports

Volume 30 2001

Jargon today, jam tomorrow - or how joined-up thinking put UK music libraries on the map - Pam Thompson

State Library of Queensland Music Service: Looking into the future - Laurel Dingle

The shock of becoming a music librarian - Helen Rosolen and Xanthe Beesley

Wombat shuffles and metro gnomes - Chris McDonald

Lifting the lid on Pandora’s Box: Considering change in the Music and Performing Arts Library at the Library and Information Service of Western Australia - Allison Fyfe

‘You have how many recordings of Tosca?!!’: The challenges of maintaining a recorded music collection - Dermot McCaul

Musings of a Music Archivist: Arranging and describing the music manuscripts of Alfred and Mirrie Hill - Meredith Lawn

The Médiathèque de Vaise in Lyon : A specialised branch library - Philippe Marcerou

Farewell to Mary O’Mara, Architecture and Music Librarian, University of Queensland

Reviews:

- Davis, Richard. Eileen Joyce: A Portrait - Helen O’Donoghue

- The Secret Music of Henry Handel Richardson (ed) B Steele & R Divall. - Katrena Mitchell

- M. Sutherland. Violin Sonata; (ed) M Marsden & R Chamberlain. - David Irving

- The Impressionists. Move Records: MD3235 - Chris Dent

- Ráfaga. Move Records MD 3243 - Chris McDonald

 

Volume 29 2000

IAML (Australian) Biennial Conference 2000 State Library of Queensland, Brisbane – Programme

Music Publishers and Supply: Publishers

Music Publishers and Supply: Suppliers

Music Publishers and Supply: Composers

Why? The what, how and why of publishing Australian music - Geoffrey Allen

Horace Keats and Publications by Wirripang – Brennan Keats

Performing Rights and the Australasian Performing Right Association (APRA) –

Fiona Loader

Document Delivery : the perspective of a public music library - Brian Dawson

Vinyl collections in the Australian Broadcasting Corporation’s sound libraries - Lynne Carmichael

Music Council of Australia Report 2000 - Prue Neidorf

IAML (Australia) Minutes of the Biennial General Meeting 2000

 

Volume 28 1999

Audio on the Web: Application in Acadedmic Music Libraries – Gordon Abbott and Mary O’Mara

Canada’s Musical Heritage on the Web: The Digitisation Programme of the National Library of Canada’s Music Division – Dr Timothy Maloney

The Preservation of Printed Music: The Veech Library Church Music Collection – Kit Smith

The Last Hurrah!: The Final Major Musical Tour of the Colonies – Helen O’Donoghue

Scratching the Surface: Arts Information Management in Australia – the Role of Special Interest Groups? – Paul Bentley

Music Council of Australia Reports 2000 - Prue Neidorf

 

Volume 27 1998

Snatches and Lays: Opening Address at IAML (Australia) Conference 1998 – John Shipp

Moving ‘Micro’ Music Collections Down the Information Highway – Roger Durbin and Nancy Stokes

Public Access to a Private Collection: The Gordon Athol Anderson Collection in the Dixson Library, University of New England, Armidale. - Berenice Scott and Alison Hughes

Composer Compositor: Isaac Nathan’s Music Published in Australia – Prue Neidorf

Virtually Yours: IAML Australia in the 21st Century: More of the Same or Something Completely Different? - Paul Bentley

Music Copyright and the Internet - Ian McDonald

Harold White Fellow at the National Library of Australia: From Bop to Pop. - Pam Dunlop

Union Catalogue of Choral Sets - Laurel Dingle

IAML(Australia) Minutes of the Biennial General Meeting 1998

 

Volume 26 1997

The impact of the Internet on musicological research methods - Kylie Moloney

An Australian composer in the Second Reich: Alfred Hill's student years in Leipzig - Louise Anemaat

Review: The Music of Raymond Hanson: A Catalogue Raisonné - Carol Williams

Professor Graham Hair, Harold White Fellow at the National Library of Australia 1997 – Averill Edwards

IASA Cataloguing Rules for AudioVisual materials

Report - Music Council of Australia Annual Assembly 1997

 

Volume 25 1996

Sound brass or tinkling triangle: The role of librarians and information professionals to the year 2000 – Helen Hayes

The byte makes the Bachs more accessible: Dynamic changes in music librarianship – Don Roberts

What’s in a name? That which we call ‘user education’ By any other name would be as sweet – Helen O’Donoghue

First byte: Knowing what the library has to offer – Julie Nolan

Medieval music on the Web: Musical resources for the 21st century – John Stinson

Music and the Internet – Elaine Stasinowsky

The Union Catalogue of Orchestral Performing Materials: Towards the future – Mary O’Mara

45 Minutes of the Biennial General Meeting 1996

 

Volume 24 1995

Australian Hymnody, 1821-1901: An Annotated Checklist of Sources Located in Australian Libraries. - Dianne Gome

Australian Brass Band History and the Arthur Stirling Collection. - John Whiteoak

Australian Music Resources in Selected Australian Libraries, Archives and Museums

Call for Papers: IAML (Australia) Biennial Conference October 1996

Reports - Music Reference Group

- Music Council of Australia

- National Networked Facility for Research in Australian Music

 

Volume 23 1994

Music on the National Bibliographic Database – Pam Dunlop

The South Australian Sound Library of the Australian Broadcasting Corporation - Lynne Carmichael

Music Copyright issues - Fiona Loader

Minutes of the Biennial General Meeting 1994

Reports - President

- Treasurer and Audit

- State Sections

- RIDIM

- Music Council of Australia